Oh my God.
Datarock is easily one of my new bouncy favorites. The only way I can describe them is disco acid pop. There’s probably a better way of explaining them, but that’ll work for lack of the creation of new words.
As an aside, I want to apologize for the title of this post. I’m using the normal format, but their first album is actually called “Datarock Datarock” so it makes for some crummy article titling.
Track Listing:
**Clear Favorites
If ever there was music to be played at a club, remixed for clubs, and then have those remixes remixed 3 more times, then Datarocks debut album “Datarock Datarock” is exactly that music. Much of the album is bouncy almost to the point of fault. Much of it makes you want to get up and dance until you seizure. Even some of the more subdued tracks are prime candidates to have the crap mixed out of them.
This mixibility makes for an interesting listen. Everything is drum machines, 8-bit sounds, synths and guitars. I guess that’s understandable considering the band is officially comprised of two people (I’m aware the Wiki mentions a third person, but the official site does not, so I’m going with that). When you only have two people, you have to get creative with your tools. They do that alright; with some interesting beat combinations Datarock manages to bring a unique feel to many of their songs. There’s a personallity to each track, and I think that that takes a lot of talent.
Another major boon for this album is the lyrical application. When you can successfully write about ones computer camp love affair in a hip hop style, you are reaching a lyrical level that makes my heart glow. The only people I’ve seen do what Datarock does with their writing are bigger names like Jason Mraz or Cobra Starship. If you pay close enough attention to actually hear what the singer is saying, I can guarentee that you will be well-rewarded. The fact that ‘Maybelline’ actually has the “maybe she’s born with it” slogan within it is proof of this.
My biggest issue with the whole album is that it’s pretty much impossible to listen to the entire album in one sitting without wanting to take a hammer to either you or your musical device. I know that sounds harsh - probably because it is - but hear me out. The big issue with the album is that it all starts to sound like noise after a while; things blend and the magic is lost. You start to phase it out because that’s what your brain DOES with excess noise.
Great for single tracks, well-written and unique. I’m waiting for them to have some remix albums come out.
6/10
No comments have been made yet.